KONSEP RITME ADDITIVE PADA KOMPOSISI “REBONDS B” KARYA IANNIS XENAKIS

Mahardika, Hilmi Ridha (2017) KONSEP RITME ADDITIVE PADA KOMPOSISI “REBONDS B” KARYA IANNIS XENAKIS. S1 thesis, Universitas Pendidikan Indonesia.

Abstract

Penelitian ini berjudul “Konsep Ritme Additive pada komposisi “Rebonds B” karya Iannis
Xenakis”. Penelitian ini bertujuan untuk mengetahui bagaimana pengolahan ritme additive
pada komposisi “Rebonds B”. Fokus penelitian ini lebih tertuju pada konsep perasaan
birama, konsep pengolahan ritme dan pengaruh warna suara (timbre) terhadap pengolahan
ritme pada komposisi ini. Untuk menjawab semua pertanyaan penelitian, maka dilakukan
teknik pengumpulan data melalui metode deskriptif analisis dengan pendekatan kualitatif.
Data-data diperoleh melalui studi literatur berupa partitur dan buku yang terkait, juga
dengan pengumpulan dokumentasi audio dan video melalui media internet. Berdasarkan
hasil temuan penelitian, ternyata ritme additive dapat terbentuk dari pengolahan ritme yang
berupa siklus pengulangan pada instrumen yang dimainkan dengan cara menempatkan
teknik aksentuasi dan accaciatura secara random pada setiap bar serta mengolah ritme
yang berbeda pada setiap kalimat meskipun kalimat tersebut memiliki kesamaan pada
urutan instrumen yang dibunyikan, sehingga mengahsilkan perasaan birama yang beragam,
diantaranya yaitu birama 5/4, 4/4, 8/8, 7/8, 6/8, 5/8, 4/8, 3/8, 2/8, 15/16, 13/16, 11/16, 9/16,
7/16, 6/16, 5/16, 3/16. Perasaan birama yang dirasakan saat mendengar komposisi ini
seperti berubah-ubah pada setiap bar.----------The title of this research is “Additive Rhythm Concept on “Rebonds B” composition by
Iannis Xenakis”. This research aims to find out how the processing of additive rhythm on
the “Rebonds B” composition. The focus of this research is more on feeling concept of time
signature, concept of rhythm processing and the effect from the color of sound against
rhythm processing in this composition. To answer all research questions, then researchers
do collecting techniques of data by descriptive analysis method with qualitative approach.
The data obtained through literature studies in the form of notation and relevant books,
also collecting audio and video documentation through internet. Based on the research
findings, evidently the additive rhythm can be formed from rhythm processing that in the
form of cycle repetition on the instrument that played by placing accent and accaciatura
technique randomly on every bar and processing different rhythm in every sentences
altough the sentences has similarity to the sequence of the instrument being sounded, so it
generates the diverse of the bar feel, such as 5/4, 4/4, 8/8, 7/8, 6/8, 5/8, 4/8, 3/8, 2/8, 15/16,
13/16, 11/16, 9/16, 7/16, 6/16, 5/16, 3/16. The feel of the bar when you hear this
composition like changing in every bar.

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Item Type:	Thesis (S1)
Additional Information:	No. Panggil: S SMS MAH k-2017; Pembimbing: I. Iwan Gunawan, II. Henry Virgan; NIM: 1304381
Uncontrolled Keywords:	ritme additive, rebonds , iannis xenakis
Subjects:	L Education > L Education (General) M Music and Books on Music > M Music
Divisions:	Fakultas Pendidikan Seni dan Desain > Jurusan Pendidikan Seni Musik
Depositing User:	Mrs. Santi Santika
Date Deposited:	23 Mar 2018 07:31
Last Modified:	23 Mar 2018 07:31
URI:	http://repository.upi.edu/id/eprint/29166

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