Mahardika, Hilmi Ridha (2017) KONSEP RITME ADDITIVE PADA KOMPOSISI “REBONDS B” KARYA IANNIS XENAKIS. S1 thesis, Universitas Pendidikan Indonesia.
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Abstract
Penelitian ini berjudul “Konsep Ritme Additive pada komposisi “Rebonds B” karya Iannis Xenakis”. Penelitian ini bertujuan untuk mengetahui bagaimana pengolahan ritme additive pada komposisi “Rebonds B”. Fokus penelitian ini lebih tertuju pada konsep perasaan birama, konsep pengolahan ritme dan pengaruh warna suara (timbre) terhadap pengolahan ritme pada komposisi ini. Untuk menjawab semua pertanyaan penelitian, maka dilakukan teknik pengumpulan data melalui metode deskriptif analisis dengan pendekatan kualitatif. Data-data diperoleh melalui studi literatur berupa partitur dan buku yang terkait, juga dengan pengumpulan dokumentasi audio dan video melalui media internet. Berdasarkan hasil temuan penelitian, ternyata ritme additive dapat terbentuk dari pengolahan ritme yang berupa siklus pengulangan pada instrumen yang dimainkan dengan cara menempatkan teknik aksentuasi dan accaciatura secara random pada setiap bar serta mengolah ritme yang berbeda pada setiap kalimat meskipun kalimat tersebut memiliki kesamaan pada urutan instrumen yang dibunyikan, sehingga mengahsilkan perasaan birama yang beragam, diantaranya yaitu birama 5/4, 4/4, 8/8, 7/8, 6/8, 5/8, 4/8, 3/8, 2/8, 15/16, 13/16, 11/16, 9/16, 7/16, 6/16, 5/16, 3/16. Perasaan birama yang dirasakan saat mendengar komposisi ini seperti berubah-ubah pada setiap bar.----------The title of this research is “Additive Rhythm Concept on “Rebonds B” composition by Iannis Xenakis”. This research aims to find out how the processing of additive rhythm on the “Rebonds B” composition. The focus of this research is more on feeling concept of time signature, concept of rhythm processing and the effect from the color of sound against rhythm processing in this composition. To answer all research questions, then researchers do collecting techniques of data by descriptive analysis method with qualitative approach. The data obtained through literature studies in the form of notation and relevant books, also collecting audio and video documentation through internet. Based on the research findings, evidently the additive rhythm can be formed from rhythm processing that in the form of cycle repetition on the instrument that played by placing accent and accaciatura technique randomly on every bar and processing different rhythm in every sentences altough the sentences has similarity to the sequence of the instrument being sounded, so it generates the diverse of the bar feel, such as 5/4, 4/4, 8/8, 7/8, 6/8, 5/8, 4/8, 3/8, 2/8, 15/16, 13/16, 11/16, 9/16, 7/16, 6/16, 5/16, 3/16. The feel of the bar when you hear this composition like changing in every bar.
| Item Type: | Thesis (S1) |
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| Additional Information: | No. Panggil: S SMS MAH k-2017; Pembimbing: I. Iwan Gunawan, II. Henry Virgan; NIM: 1304381 |
| Uncontrolled Keywords: | ritme additive, rebonds , iannis xenakis |
| Subjects: | L Education > L Education (General) M Music and Books on Music > M Music |
| Divisions: | Fakultas Pendidikan Seni dan Desain > Jurusan Pendidikan Seni Musik |
| Depositing User: | Mrs. Santi Santika |
| Date Deposited: | 23 Mar 2018 07:31 |
| Last Modified: | 23 Mar 2018 07:31 |
| URI: | http://repository.upi.edu/id/eprint/29166 |
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