KAJIAN SEMIOTIKA ROLAND BARTHES PADA ALBUM: Mengudara Karya Idgitaf

    Mabadi Raudhatun Nur Aida, - and Kholid Abdullah Harras, - and Sri Wiyanti, - (2025) KAJIAN SEMIOTIKA ROLAND BARTHES PADA ALBUM: Mengudara Karya Idgitaf. S1 thesis, Universitas Pendidikan Indonesia.

    Abstract

    Penggunaan tanda dalam bentuk kata yang khas dalam lirik lagu seringkali menjadi kendala bagi pendengar dalam memahami makna yang terkandung di dalamnya. Penelitian ini menggunakan pendekatan kualitatif deskriptif yang bertujuan untuk mengungkap makna denotasi, konotasi, dan mitos dalam lirik lagu dengan mengacu pada teori semiotika Roland Barthes. Objek kajian dalam penelitian ini adalah lirik lagu dalam album “Mengudara” karya Idgitaf. Data berupa kata, frasa, klausa, dan kalimat dianalisis melalui tahapan reduksi data, penyajian data, dan penarikan simpulan menurut Miles dan Huberman. Hasil penelitian menunjukkan bahwa makna denotatif mencerminkan pengalaman personal, emosi, dan realitas sosial. Makna konotatif yang merefleksikan dua sisi pengalaman manusia, yakni konotasi negatif seperti kecemasan, kritik sosial, dan kegagalan, serta konotasi positif seperti harapan, kekuatan, dan pertumbuhan diri. Sementara itu, mitos yang muncul merepresentasikan nilai-nilai dominan dalam masyarakat, khususnya di kalangan generasi muda. Penelitian ini menunjukkan bahwa lirik dalam album “Mengudara” karya Idgitaf mengandung makna denotasi, konotasi, dan mitos yang mencerminkan pengalaman pribadi serta kondisi sosial generasi muda. Selain itu, penelitian ini memberikan pemahaman baru tentang penggunaan simbolisme dalam musik populer. The use of distinctive signs in the form of words in song lyrics often becomes an obstacle for listeners in understanding the meaning contained therein. This study uses a descriptive qualitative approach that aims to uncover the denotative, connotative, and mythical meanings in song lyrics by referring to Roland Barthes' semiotic theory. The object of study in this research is the song lyrics in the album “Mengudara” by Idgitaf. Data in the form of words, phrases, clauses, and sentences were analyzed through the stages of data reduction, data presentation, and drawing conclusions according to Miles and Huberman. The results of the study show that denotative meaning reflects personal experiences, emotions, and social realities. Connotative meaning reflects two sides of human experience, namely negative connotations such as anxiety, social criticism, and failure, as well as positive connotations such as hope, strength, and personal growth. Meanwhile, the myths that emerge represent dominant values in society, especially among the younger generation. This study shows that the lyrics in the album “Mengudara” by Idgitaf contain denotative, connotative, and mythical meanings that reflect personal experiences and the social conditions of the younger generation. In addition, this study provides new understanding of the use of symbolism in popular music

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    Official URL: https://repository.upi.edu/
    Item Type: Thesis (S1)
    Additional Information: cholar.google.com/citations?hl=en&user=ghmVIh0AAAAJ ID Sinta Dosen Pembimbing Kholid Abdullah Harras: 5993658 Sri Wiyanti: 5982361
    Uncontrolled Keywords: Semiotika, Roland Barthes, Makna, Lirik Lagu, Idgitaf. Semiotics, Roland Barthes, Meaning, Song Lyrics, Idgitaf.
    Subjects: P Language and Literature > PL Languages and literatures of Eastern Asia, Africa, Oceania
    Divisions: Fakultas Pendidikan Bahasa dan Sastra > Jurusan Pendidikan Bahasa dan Sastra Indonesia > Program Studi Bahasa dan Sastra Indonesia (nonpendidikan)
    Depositing User: Mabadi Raudhatun Nur Aida
    Date Deposited: 13 Oct 2025 07:25
    Last Modified: 13 Oct 2025 07:25
    URI: http://repository.upi.edu/id/eprint/142760

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