REPRESENTASI EKSISTENSIALISME PADA DONGENG KARYA JO YONG DALAM DRAMA IT’S OKAY TO NOT BE OKAY : Analisis Semiotika A.J Greimas

Hana Hanifah Syahrir, - (2024) REPRESENTASI EKSISTENSIALISME PADA DONGENG KARYA JO YONG DALAM DRAMA IT’S OKAY TO NOT BE OKAY : Analisis Semiotika A.J Greimas. S1 thesis, Universitas Pendidikan Indonesia.

Abstract

Penelitian ini mengkaji dongeng 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) yang terdapat pada drama Korea "It's Okay to Not Be Okay". Penelitian ini menganalisis skema aktan dan struktur fungsional dari teori naratif struktural A.J. Greimas, setelah itu mengidentifikasi representasi eksistensialisme di dalamnya. Metode yang digunakan adalah kualitatif dengan analisis semiotika naratif yang disajikan secara deskriptif. Hasil dari penelitian ini menunjukkan bahwa dongeng 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) memenuhi keenam aktan dengan jumlah yang berbeda-beda. Aktan dominan adalah Pria Kotak yaitu sebagai subjek, penolong, dan penerima. Struktur fungsional dongeng memiliki alur yang berurutan. Selain itu, dongeng ini mencerminkan pencarian jati diri dari karakter-karakternya yaitu Pria Kotak, Anak Topeng, dan Putri Kaleng. This study examines the fairy tale 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) in the Korean drama "It's Okay to Not Be Okay". This study analyzes the actant scheme and functional structure of A.J. Greimas structural narrative theory, after which it identifies the representation of existentialism in it. The method used is qualitative with narrative semiotic analysis presented descriptively. The results of this study show that the fairy tale 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) fulfills all six actants with different amounts. The dominant actant is Pria Kotak as the subject, helper, and recipient. The functional structure of the fairy tale has a sequential flow. In addition, this fairy tale reflects the self-discovery of the characters, namely Pria Kotak, Anak Bertopeng, and Putri Kaleng. 이 연구는 한국 드라마 "사이코지만 괜찮아"에 등장하는 동화 진짜 진짜 얼굴을 찾아서를 살펴봅다. 이 연구는 A.J. 그레이마스 구조 서사 이론의 행위자 체계와 기능적 구조를 분석한 후, 그 안에서 실존주의의 표상을 규명한다. 사용된 방법은 서술적으로 제시된 서사 기호학적 분석을 통해 질적이다. 이 연구의 결과에 따르면 동화 진짜 진짜 얼굴을 찾아서는 여섯 명의 행위자를 모두 다른 양으로 충족하는 것으로 나타났다. 지배적인 행위자는 프리아 코탁이 주체, 조력자, 수용자로 등장하다. 동화의 기능적 구조는 순차적인 흐름을 가지고 있다. 또한 이 동화는 프리아 코탁, 아낙 베르토펑, 푸트리 칼렝이라는 인물들의 자아 발견을 반영하다.

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Official URL: https://repository.upi.edu/
Item Type: Thesis (S1)
Additional Information: https://scholar.google.com/citations?view_op=view_citation&hl=en&user=mjEgqc8AAAAJ&citation_for_view=mjEgqc8AAAAJ:u-x6o8ySG0sC ID SINTA Dosen Pembimbing: Risa Triarisanti: 6102047 Ashanti Widyana: 6745826
Uncontrolled Keywords: aktan, dongeng, eksistensialisme, semiotika A.J. Greimas, struktur fungsional A.J. Greimas semiotics, actants, existentialism, fairy tales, functional structure 기능 구조, 동화, 증명서, 실존주의, A.J. 그레이마스 기호학
Subjects: P Language and Literature > PL Languages and literatures of Eastern Asia, Africa, Oceania
Divisions: Fakultas Pendidikan Bahasa dan Sastra > Jurusan Pendidikan Bahasa Korea
Depositing User: Hana Hanifah Syahrir
Date Deposited: 06 Jan 2025 07:52
Last Modified: 06 Jan 2025 07:52
URI: http://repository.upi.edu/id/eprint/129389

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