PERTUNJUKAN SENI DALAM RINTISAN KAMPUNG WISATA MELALUI PERAN SANGGAR TARI KLAPA JAJAR DI CIREBON

Sofa Nurhikmah Tesa, - (2024) PERTUNJUKAN SENI DALAM RINTISAN KAMPUNG WISATA MELALUI PERAN SANGGAR TARI KLAPA JAJAR DI CIREBON. S2 thesis, Universitas Pendidikan Indonesia.

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Official URL: https://repository.upi.edu/

Abstract

Penelitian ini dilatarbelakangi oleh adanya program Visit Indonesia yang menjadikan semangat baru bagi masyarakat untuk mengembangkan potensi daerahnya sebagai destinasi wisata. Cirebon memiliki potensi wisata budaya dan sejarah yang dapat menjadi salah satu lokasi wisata popular di Jawa Barat. Ada beberapa kampung wisata di Cirebon yang dapat dijadikan sebagai destinasi wisata, salah satunya yaitu Kampung Wisata Seni Kanoman Utara. Sanggar Tari Klapa Jajar di Kampung Wisata Seni Kanoman Utara membuat wisata seni yang optimal dalam penyajian pertunjukan seni. Penulis tertarik untuk menganalisis peran Sanggar Tari Klapa Jajar sebagai organisasi yang mewadahi kesenian di kampung tersebut, serta menganalisis pengelolaan kampung wisata sehingga dapat menjadi sarana pendidikan, pengembangan masyarakat, seni dan pariwisata daerah yang menarik untuk dikunjungi. Penelitian ini bertujuan untuk mendeskripaikan pertunjukan seni yang digarap dan disajikan oleh Sanggar Tari Klapa Jajar untuk rintisan kampung wisata di Cirebon; mendeskripsikan peran Sanggar Tari Klapa Jajar dalam proses dan penyajian pertunjukan seni untuk rintisan kampung wisata di Cirebon; dan menganalisis respon masyarakat terhadap pertunjukan seni melalui peran Sanggar Tari Klapa Jajar untuk rintisan kampung wisata di Cirebon. Penelitian ini menggunakan jenis penelitian Mixed Methods tipe Convergent Parallel Design. Objek dalam penelitian ini yaitu pertunjukan seni di Kampung Wisata Seni Kanoman Utara. Teknik pengumpulan data yang digunakan yaitu observasi, wawancara, kuesioner, serta dokumentasi. Temuan dalam penelitian ini yaitu: 1) Pertunjukan seni yang digarap dan disajikan oleh Sanggar Tari Klapa Jajar untuk rintisan kampung wisata sebelum dilakukan penelitian dapat diketahui bahwa kegiatan yang sudah berlangsung di Kampung Wisata Seni Kanoman Utara masih dalam konteks sanggar, belum berjalan sebagaimana destinasi wisata seni pada umumnya. Sanggar hanya baru melayani konsumen atau pengunjung sesuai dengan pesanan, sehingga pendapatan yang masuk masih bersifat temporer dan belum menentu, 2) Sanggar Tari Klapa Jajar berperan penting dalam proses dan penyajian pertunjukan seni untuk rintisan kampung wisata seni di Cirebon. Kampung Wisata Seni Kanoman Utara memiliki banyak sekali potensi yang dapat lebih dikembangkan lagi untuk menciptakan kampung wisata seni yang menarik, 3) Respon masyarakat berdasarkan hasil kuesioner yang didapatkan dari pengisian angket melalui Google Form dapat disimpulkan bahwa pertunjukan seni di kampung wisata kanoman utara memberikan pengalaman yang menarik bagi pengunjung. This research is motivated by the Visit Indonesia program, which creates a new spirit for the community to develop the potential of their region as a tourist destination. Cirebon has the potential for cultural and historical tourism that can become one of the popular tourist locations in West Java. There are several tourist villages in Cirebon that can be used as tourist destinations, one of which is the North Kanoman Art Tourism Village. The Klapa Jajar Dance Studio in the North Kanoman Art Tourism Village makes art tourism optimal in the presentation of art performances. The author is interested in analyzing the role of the Klapa Jajar Dance Studio as an organization that accommodates the arts in the village, as well as analyzing the management of the tourist village so that it can become a means of education, community development, art, and tourism in an interesting area to visit. This research aims to describe the art performances worked on and presented by the Klapa Jajar Dance Studio for the pioneer of tourist villages in Cirebon; describe the role of the Klapa Jajar Dance Studio in the process and presentation of art performances for tourism village pioneers in Cirebon; and analyze the community's response to art performances through the role of the Klapa Jajar Dance Studio for the pioneering of tourist villages in Cirebon. This study uses the Convergent Parallel Design type of mixed methods research. The object of this study is art performances in the North Kanoman Art Tourism Village. The data collection techniques used are observation, interviews, questionnaires, and documentation. The findings in this study are: 1) Art performances that are worked on and presented by the Klapa Jajar Dance Studio for tourism village pioneers before the research can be found that the activities that have taken place in the North Kanoman Art Tourism Village are still in the context of the studio, not yet running like art tourism destinations in general. The studio only serves consumers or visitors according to orders, so the incoming income is still temporary and uncertain. 2) Klapa Jajar Dance Studio plays an important role in the process and presentation of art performances for the pioneer art tourism village in Cirebon. North Kanoman Art Tourism Village has a lot of potential that can be further developed to create an attractive art tourism village. 3) Based on the community's response, the results of the questionnaire obtained from filling out the questionnaire through the Google Form can be concluded that art performances in the North Kanoman Tourism Village provide an interesting experience for visitors.

Item Type: Thesis (S2)
Additional Information: https://scholar.google.com/citations?view_op=list_works&hl=en&user=HJwamPMAAAAJ ID SINTA Dosen Pembimbing Juju Masunah: 258201 Ayo Sunaryo: 5994222
Uncontrolled Keywords: Pertunjukan Seni, Kampung Wisata, Seni Wisata. Performing Arts, Tourist Villages, Art Tourism
Subjects: G Geography. Anthropology. Recreation > GV Recreation Leisure
Divisions: Sekolah Pasca Sarjana > Pendidikan Seni S-2
Depositing User: Sofa Nurhikmah Tesa
Date Deposited: 09 Sep 2024 06:19
Last Modified: 09 Sep 2024 06:19
URI: http://repository.upi.edu/id/eprint/123728

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