eprintid: 146606 rev_number: 32 eprint_status: archive userid: 221938 dir: disk0/00/14/66/06 datestamp: 2026-01-14 02:16:52 lastmod: 2026-01-14 02:16:52 status_changed: 2026-01-14 02:16:52 type: thesis metadata_visibility: show creators_name: Adelia, - creators_name: Wilodati, - creators_name: Puspita Wulandari, - creators_nim: NIM2103951 creators_nim: NIDN0014016804 creators_nim: NIDN0008089303 creators_id: adelia26@upi.edu creators_id: wilodati@upi.edu creators_id: puspitawulandari@upi.edu contributors_type: http://www.loc.gov/loc.terms/relators/THS contributors_type: http://www.loc.gov/loc.terms/relators/THS contributors_name: Wilodati, - contributors_name: Puspita Wulandari, - contributors_nidn: NIDN0014016804 contributors_nidn: NIDN0008089303 contributors_id: wilodati@upi.edu contributors_id: puspitawulandari@upi.edu title: LIFESTYLE SELFIE SEBAGAI REPRESENTASI FUNGSI AFEKSI KELUARGA (Studi Fenomenologi pada Mahasiswa Generasi Z di Kota Bandung) ispublished: pub subjects: HM subjects: HN subjects: L1 divisions: SOS full_text_status: restricted keywords: Fungsi Afeksi Keluarga, Generasi Z, Lifestyle Selfie Family Affection Function, Generation Z, Lifestyle Selfie note: ID SINTA Dosen Pembimbing : Sinta ID : 5976344 Sinta ID : 6778395 abstract: Penelitian ini dilatarbelakangi oleh meningkatnya penggunaan lifestyle selfie oleh mahasiswa Generasi Z sebagai bentuk ekspresi diri di media sosial, yang tidak hanya membangun citra diri tetapi juga merepresentasikan relasi dan fungsi afeksi keluarga di ruang digital. Tujuan penelitian ini adalah untuk memahami bagaimana mahasiswa Generasi Z menampilkan citra diri melalui lifestyle selfie, alasan mereka menjadikan media sosial sebagai ruang aman dibandingkan keluarga, serta bagaimana lifestyle selfie merepresentasikan fungsi afeksi keluarga. Penelitian ini menggunakan pendekatan kualitatif dengan metode fenomenologi, melibatkan lima mahasiswa Generasi Z di Kota Bandung sebagai informan utama. Landasan teori yang digunakan adalah teori dramaturgi Erving Goffman untuk memahami pengelolaan citra diri di media sosial dan teori ekologi keluarga Bronfenbrenner, khususnya konsep mikrosistem dan virtual microsystem, untuk menganalisis dinamika fungsi afeksi keluarga. Pengumpulan data dilakukan melalui wawancara mendalam dan observasi akun Instagram informan, sedangkan analisis data menggunakan model Creswell yang meliputi pengorganisasian data, pengodean, penemuan tema, dan interpretasi makna. Hasil penelitian menunjukkan bahwa lifestyle selfie dimaknai sebagai sarana pembentukan citra diri ideal, ruang aman untuk memperoleh validasi sosial, serta media representasi kebersamaan dan penguatan fungsi afeksi keluarga melalui interaksi digital. Kesimpulan penelitian ini menegaskan bahwa lifestyle selfie tidak hanya berfungsi sebagai ekspresi visual individual, tetapi juga sebagai medium simbolik yang merefleksikan transformasi fungsi afeksi keluarga ke dalam ruang digital Generasi Z. This study is motivated by the increasing use of lifestyle selfies among Generation Z university students as a form of self-expression on social media, which not only constructs self-image but also represents family relationships and affective functions in the digital space. The purpose of this study is to understand how Generation Z students present their self-image through lifestyle selfies, the reasons they perceive social media as a safer space than family, and how lifestyle selfies represent the family’s affective function. This research employs a qualitative approach with a phenomenological method, involving five Generation Z university students in Bandung City as the main informants. The theoretical framework draws on Erving Goffman’s dramaturgical theory to examine self-image management on social media and Bronfenbrenner’s family ecology theory, particularly the concepts of the microsystem and virtual microsystem, to analyze the dynamics of family affective functions. Data were collected through in-depth interviews and observation of the informants’ Instagram accounts, while data analysis followed Creswell’s model, including data organization, coding, theme development, and interpretation of meaning. The findings indicate that lifestyle selfies are understood as a means of constructing an ideal self-image, a safe space for obtaining social validation, and a medium for representing togetherness and strengthening family affective functions through digital interaction. This study concludes that lifestyle selfies function not only as individual visual expressions but also as symbolic media reflecting the transformation of family affective functions into digital space Generation Z date: 2025-12-18 date_type: published institution: Universitas Pendidikan Indonesia department: KODEPRODI87204#Pendidikan_Sosiologi_S1 thesis_type: other thesis_name: other official_url: https://repository.upi.edu/ related_url_url: https://perpustakaan.upi.edu/ related_url_type: org citation: Adelia, - and Wilodati, - and Puspita Wulandari, - (2025) LIFESTYLE SELFIE SEBAGAI REPRESENTASI FUNGSI AFEKSI KELUARGA (Studi Fenomenologi pada Mahasiswa Generasi Z di Kota Bandung). S1 thesis, Universitas Pendidikan Indonesia. document_url: http://repository.upi.edu/146606/6/S_SOS_2103951_Title.pdf document_url: http://repository.upi.edu/146606/1/S_SOS_2103951_Chapter1.pdf document_url: http://repository.upi.edu/146606/2/S_SOS_2103951_Chapter2.pdf document_url: http://repository.upi.edu/146606/3/S_SOS_2103951_Chapter3.pdf document_url: http://repository.upi.edu/146606/4/S_SOS_2103951_Chapter4.pdf document_url: http://repository.upi.edu/146606/5/S_SOS_2103951_Chapter5.pdf document_url: http://repository.upi.edu/146606/7/S_SOS_2103951_Appendix.pdf