eprintid: 142737 rev_number: 17 eprint_status: archive userid: 219412 dir: disk0/00/14/27/37 datestamp: 2025-12-08 07:10:25 lastmod: 2025-12-08 07:10:25 status_changed: 2025-12-08 07:10:25 type: thesis succeeds: 141959 metadata_visibility: show creators_name: Tohawi Ibrozi, - creators_name: Yatun Romdonah Awaliah, - creators_name: Dian Hendrayana, - creators_nim: NIM2108139 creators_nim: NIDN0029049001 creators_nim: NIDN0025027107 creators_id: ibrozitohawi@upi.edu creators_id: yatun.romdonah@upi.edu creators_id: dian.hendrayana@upi.edu contributors_type: http://www.loc.gov/loc.terms/relators/THS contributors_type: http://www.loc.gov/loc.terms/relators/THS contributors_name: Yatun Romdonah Awaliah, - contributors_name: Dian Hendrayana, - contributors_nidn: NIDN0029049001 contributors_nidn: NIDN0025027107 contributors_id: yatun.romdonah@upi.edu contributors_id: dian.hendrayana@upi.edu title: THE FEMININE IMAGE OF SUNDANESE WOMEN IN MOJANG PRIANGAN LYRICS THROUGH FAIRCLOUGH'S CRITICAL DISCOURSE ANALYSIS ispublished: pub subjects: L1 subjects: P1 subjects: PN divisions: SUN full_text_status: restricted keywords: women’s representation, feminism, Sundanese women, Sundanese culture, critical discourse analysis note: https://scholar.google.com/citations?user=1gPgdr4AAAAJ ID SINTA Dosen Pembimbing: Yatun Romdonah Awaliah: 5994714 Dian Hendrayana: 6129542 Karya ini adalah tugas akhir setara dengan skripsi sesuai dengan SK Dekan Pendidikan Bahasa dan Sastra Nomor: B-4862/UN40.A3.1/KM.00/2025 abstract: In songs, whether they are from popular or traditional genres, there is often a gender stereotype that reduces women's identities to physical attributes and domestic roles. "Mojang Priangan", as an expression of local culture from the Sundanese region, is a relevant subject of study in understanding how women are represented in songs. This study aims to examine the representation of Sundanese women in the lyrics of "Mojang Priangan" songs through a critical feminist approach. The music, composed by Iyar Wiyarsih, was selected for its high historical and cultural significance in representing the identity of Sundanese women. A descriptive, qualitative method was employed in this study, utilizing Norman Fairclough's critical discourse analysis model, which encompasses text analysis, discursive practices, and social practices. The primary instrument in this study was the researcher herself, who actively interpreted the data contextually and reflectively. Data were collected through literature review and documentation of song lyrics and relevant scientific references. The results of this study show that the lyrics of "Mojang Priangan" songs describe women who have physical and personality advantages as the feminine image of Sundanese culture. In Sundanese society, Sundanese women are always positioned in the role of guardians of values, symbols of family honor, and representatives of morality. Although the lyrics have undergone several changes, the main values are still maintained. The lyrics do not exploit women assensual visual objects. However, they show their values and roles in maintaining dignity in a social context. date: 2025-07-24 date_type: published publication: IJLECR (International Journal of Language Education and Cultural) volume: 11 number: 2 publisher: Universitas Negeri Jakarta institution: Universitas Pendidikan Indonesia department: KODEPRODI88202#Pendidikan Bahasa Sunda_S1 thesis_type: other thesis_name: other refereed: TRUE official_url: https://doi.org/10.21009/ijlecr.v11i2.57051 related_url_url: https://perpustakaan.upi.edu/ related_url_type: org citation: Tohawi Ibrozi, - and Yatun Romdonah Awaliah, - and Dian Hendrayana, - (2025) THE FEMININE IMAGE OF SUNDANESE WOMEN IN MOJANG PRIANGAN LYRICS THROUGH FAIRCLOUGH'S CRITICAL DISCOURSE ANALYSIS. S1 thesis, Universitas Pendidikan Indonesia. document_url: http://repository.upi.edu/142737/1/TA_ART_S_BD_2108139_SK.pdf document_url: http://repository.upi.edu/142737/3/TA_ART_S_BD_2108139_ART.pdf