TY  - THES
PB  - Universitas Pendidikan Indonesia
AV  - restricted
M1  - other
UR  - https://doi.org/10.21009/ijlecr.v11i2.57051
IS  - 2
N1  - https://scholar.google.com/citations?user=1gPgdr4AAAAJ

ID SINTA Dosen Pembimbing:
Yatun Romdonah Awaliah: 5994714
Dian Hendrayana: 6129542

Karya ini adalah tugas akhir setara dengan skripsi sesuai 
dengan SK Dekan Pendidikan Bahasa dan Sastra Nomor: B-4862/UN40.A3.1/KM.00/2025
VL  - 11
KW  - women?s representation
KW  -  feminism
KW  -  Sundanese women
KW  -  Sundanese culture
KW  -  critical discourse analysis
A1  - Tohawi Ibrozi, -
A1  - Yatun Romdonah Awaliah, -
A1  - Dian Hendrayana, -
N2  - In songs, whether they are  from  popular or traditional genres,  there is often a gender stereotype  that reduces women's identities to physical attributes and domestic roles. "Mojang Priangan", as an expression of local culture from the Sundanese region, is a relevant subject of study in understanding how women are represented in songs. This  study  aims  to  examine  the  representation of  Sundanese  women  in  the  lyrics  of  "Mojang  Priangan"  songs through a critical feminist approach. The music, composed by Iyar Wiyarsih, was selected for its high historical and cultural significance in representing the identity of Sundanese women. A descriptive, qualitative method was employed in this study, utilizing Norman Fairclough's critical discourse analysis model, which encompasses text analysis,  discursive  practices,  and  social  practices.  The  primary  instrument  in  this  study  was  the  researcher herself,  who  actively  interpreted  the  data  contextually  and reflectively.  Data  were  collected  through  literature review and documentation of song lyrics and relevant scientific references. The results of this study show that the lyrics  of  "Mojang  Priangan"  songs  describe  women  who  have  physical  and  personality  advantages  as  the feminine image of Sundanese culture. In Sundanese society, Sundanese women are always positioned in the role of  guardians  of  values,  symbols  of  family  honor,  and  representatives  of  morality.  Although  the  lyrics  have undergone  several  changes,  the  main  values  are  still  maintained.  The  lyrics  do  not  exploit  women  assensual visual objects. However, they show their values and roles in maintaining dignity in a social context.
ID  - repoupi142737
Y1  - 2025/07/24/
TI  - THE FEMININE IMAGE OF SUNDANESE WOMEN IN MOJANG PRIANGAN LYRICS THROUGH FAIRCLOUGH'S CRITICAL DISCOURSE ANALYSIS
ER  -