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<http://repository.upi.edu/id/eprint/138632> <http://purl.org/dc/terms/title> "A COMPARISON OF STATE INSTABILITY IN DITTO ‘동감’ FILM AND ITS REMAKE: A Semiotic Study"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://repository.upi.edu/id/eprint/138632> <http://purl.org/ontology/bibo/abstract> "ABSTRACT\r\nBackground: This research discusses the comparison of the representation of state instability in the 2000 film Ditto '동감' with its national remake film Ditto '동감' (2022). The interesting point is there are many studies that have analyzed remake films, but few discuss about national remake films.\r\nPurpose: This research aims to fill the research gap by specifically highlighting the comparison of representation in national remake films, between film Ditto '동감' (2000) and its remake film Ditto '동감' (2022), especially on the phenomenon of state instability.\r\nMethod: This research employs a qualitative approach, drawing on John Fiske's semiotic theory, to analyze the differences in signs and symbols used by the two films in representing the phenomenon of state instability. The data used are audio, visual, and verbal elements in both films.\r\nResults and Discussion: This research demonstrates that, although national remake films are remade in the same country with a relatively similar culture and ideology, the representation of a phenomenon can vary significantly in terms of what and how it is portrayed. This is because representation is highly dependent on the filmmaker.\r\nConclusions and Implications: The instability of the country in the 2000 film Ditto '동감’ is primarily represented through visual elements, including news and scenes with minimal dialogue. Meanwhile, the instability of the country, as represented in the remake of Ditto '동감’ in 2022, is more likely to be conveyed verbally through dialogue. This research is expected to contribute to the study of semiotics in film, particularly in the context of intramedium national remake films. It aims to serve as teaching materials for Korean language education students, helping to develop an understanding of semiotics in Korean national remake films.\r\n\r\nABSTRAK\r\nLatar Belakang: Latar belakang: Penelitian ini membahas perbandingan representasi ketidakstabilan negara  pada  film  Ditto ‘동감’tahun  2000  dengan  film  remakenya Ditto ‘동감’ tahun 2022.  Menariknya,  banyak  penelitian  yang  menganalisis  film remake, tetapi hanya sedikit yang membahas remake nasional.\r\nTujuan: Penelitian  ini  bertujuan  untuk  mengisi  celah  penelitian  sebelumnya dengan  secara  spesifik  membahas  perbandingan  representasi  dalam  film remake nasional, antara film Ditto '동감' (2000) dengan film remakenya Ditto '동감' (2022), khususnya pada fenomena ketidakstbilan negara. \r\nMetode: Melalui  metode  kualitatif  dengan  teori  semiotika  John  fiske,  penelitian  ini bertujuan untuk menganalisis perbedaan tanda dan simbol yang digunakan kedua film dalam  merepresentasikan  fenomena  ketidakstabilan  negara.  Data  yang  digunakan adalah elemen audio, visual, dan verbal pada kedua film.\r\nHasil  dan  Pembahasan: Penelitian  ini menunjukkan  bahwa meskipun  film  remake nasional  dibuat  ulang  di  lingkungan  yang  memiliki  budaya  dan  ideologi  yang  relatif sama,  apa  dan  bagaimana  sebuah  fenomena  direpresentasikan  bisa  sangat  berbeda. Karena representasi sangat bergantung pada filmmaker.\r\nKesimpulan  dan  Implikasi: Ketidakstabilan  negara  pada  film  Ditto ‘동감’tahun 2000  lebih  banyak  direpresentasikan  melalui  elemen  visual  berupa  berita-berita  dan adegan tanpa dialog. Sedangkan, ketidakstabilan negara pada film remake Ditto ‘동감’tahun2022 lebih condong direpresentasikan secara verbal melalui dialog. Penelitian ini diharapkan dapat memberikan kontribusi pada kajian semiotika dalam film, khususnyafilm  remake  nasional  intramedium  dan  dapat  menjadi  bahan  ajar  dalam  mahasiswapendidikan  bahasa  Korea  untuk  memahami  semiotika  dalam  film  remake  nasional Korea."^^<http://www.w3.org/2001/XMLSchema#string> .
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