KAJIAN VISUAL MOTIF BAROQUE PADA KOLEKSI ROSERAIE ÉTERNELLE KARYA AYU DYAH ANDARI PADA EVENT PARIS FASHION AIR SPRING-SUMMER 2024

Queeny Aira Carissima Muchtar, - and Cucu Ruhidawati, - and Pipin Tresna Prihatin, - (2025) KAJIAN VISUAL MOTIF BAROQUE PADA KOLEKSI ROSERAIE ÉTERNELLE KARYA AYU DYAH ANDARI PADA EVENT PARIS FASHION AIR SPRING-SUMMER 2024. S1 thesis, Universitas Pendidikan Indonesia.

Abstract

Motif baroque yang muncul pada abad ke-17 di Eropa identik dengan ornamen cartouche dan bentuk vegetal seperti daun akantus. Keduanya merefleksikan estetika baroque yang mewah, dramatis, dan penuh detail. Unsur estetika baroque tidak hanya dihadirkan kembali, tetapi juga dikembangkan melalui sentuhan modern sehingga tampil lebih relevan dan menarik bagi audiens masa kini. Salah satu bentuk adaptasi tersebut tampak dalam koleksi Roseraie Éternelle karya Ayu Dyah Andari. Koleksi ini memadukan tema timeless romance dengan estetika baroque, serta desain modest fashion khas desainer. Penelitian ini bertujuan mengkaji motif baroque dalam koleksi tersebut berdasarkan jenis motif, pola hias, dan teknik embroidery. Metode yang digunakan ialah kualitatif deskriptif dengan teknik purposive sampling, memilih tujuh busana dari koleksi yang ditampilkan pada Paris Fashion Air Spring-Summer 2024. Hasil penelitian menunjukkan bahwa seluruh busana menampilkan motif khas baroque, yaitu daun akantus dan ornamen cartouche yang disusun dalam pola hias pusat. Motif diwujudkan melalui teknik embroidery berupa aplikasi, suji penuh (sulaman pipih), dan lekapan, dengan dominasi teknik aplikasi. Koleksi ini berhasil menampilkan visual motif baroque yang kuat namun tetap relevan dalam mode modern melalui penataan motif yang proporsional dan detail. Kata Kunci: kajian visual, motif baroque, paris fashion air Baroque motifs that emerged in 17th-century Europe are synonymous with cartouche ornaments and vegetal forms such as acanthus leaves. Both reflect the luxurious, dramatic, and detailed aesthetics of the Baroque period. Baroque aesthetic elements are not only revived, but also developed through modern touches to make them more relevant and appealing to today's audience. One such adaptation can be seen in the Roseraie Éternelle collection by Ayu Dyah Andari. This collection combines the theme of timeless romance with Baroque aesthetics and the designer's signature modest fashion designs. This study aims to examine the Baroque motifs in the collection based on motif type, decorative patterns, and embroidery techniques. The method used is descriptive qualitative with purposive sampling technique, selecting seven outfits from the collection featured at Paris Fashion Air Spring-Summer 2024. The results show that all outfits feature typical baroque motifs, namely acanthus leaves and cartouche ornaments arranged in a central decorative pattern. The motifs were realized through embroidery techniques such as appliqué, full stitch (flat embroidery), and layering, with a predominance of the appliqué technique. This collection successfully presented strong baroque motifs that remained relevant in modern fashion through proportional motif arrangement and detail. Keywords: baroque motifs, paris fashion air, visual analysis

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Item Type:	Thesis (S1)
Additional Information:	https://scholar.google.com/citations?hl=en&user=653c24sAAAAJ&view_op=list_works&gmla=AKzYXQ3PZaskt6zW5fdWs_hcizvJIiqE_oW4hyUPDJeoejeNW2ML46jKN8dTRw0sHPZ_fMYQg_ljPCRp_gOL2Hgu ID SINTA Dosen Pembimbing: Cucu Ruhidawati: 6147692 Pipin Tresna Prihatin: 6000304
Uncontrolled Keywords:	kajian visual, motif baroque, paris fashion air baroque motifs, paris fashion air, visual analysis
Subjects:	G Geography. Anthropology. Recreation > GT Manners and customs L Education > L Education (General) T Technology > TT Handicrafts Arts and crafts
Divisions:	Fakultas Pendidikan Teknik dan Industri > Jurusan Pendidikan Kesejahteraan Keluarga > Program Studi Pendidikan Tata Busana
Depositing User:	Queeny Aira Carissima Muchtar
Date Deposited:	10 Nov 2025 08:24
Last Modified:	10 Nov 2025 08:24
URI:	http://repository.upi.edu/id/eprint/145088

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