ANALISIS KONSEP MUSIK MINIMALIS DALAM KOMPOSISI “TIME REMNANT” KARYA ARIF MULYADI

    Galuh Cahya Pratama, - and Toni Setiawan Sutanto, - and Abizar Algifari Saiful, - (2025) ANALISIS KONSEP MUSIK MINIMALIS DALAM KOMPOSISI “TIME REMNANT” KARYA ARIF MULYADI. S1 thesis, Universitas Pendidikan Indonesia.

    Abstract

    Penelitian ini bertujuan untuk menganalisis penerapan prinsip musik minimalis dalam komposisi “Time Remnant” karya Arif Mulyadi, dengan fokus utama pada teknik interlocking, eksplorasi timbre, serta struktur ritmis dan birama. Melalui pendekatan Practice-Led Research (PLR), penelitian ini tidak hanya mengkaji hasil karya sebagai produk artistik, tetapi juga menempatkan proses kreatif sebagai bagian integral dari praktik keilmuan. Komposisi “Time Remnant” memadukan idiom musik minimalis Barat, seperti repetisi motif, reduksi elemen musikal, dan struktur poliritmik, dengan instrumen tradisional Indonesia, yaitu Angklung Gambang dan Angklung Toel. Hasil analisis menunjukkan bahwa teknik interlocking diterapkan secara sistematis melalui pola ritmis saling mengisi, struktur birama simultan (6/8 dan 7/8), serta penempatan aksen pada ketukan tidak konvensional. Temuan ini menunjukkan bagaimana prinsip minimalis dapat diadaptasi secara kontekstual ke dalam medium lokal dan menghasilkan bentuk musikal yang inovatif dan relevan. Penelitian ini memberikan kontribusi terhadap diskursus musik kontemporer Indonesia dengan menawarkan model komposisi berbasis lokalitas yang mampu bersaing dalam wacana global. Selain itu, pendekatan PLR terbukti efektif dalam menjembatani praktik kreatif dan refleksi teoretis, serta direkomendasikan untuk diintegrasikan dalam pendidikan tinggi seni dan riset interdisipliner. This study aims to analyze the application of minimalist music principles in the composition Time Remnant by Arif Mulyadi, with a particular focus on interlocking techniques, timbral exploration, and rhythmic and metric structures. Using a Practice-Led Research (PLR) approach, the research examines the composition not only as an artistic product but also as a reflective process integral to scholarly inquiry. Time Remnant fuses Western minimalist idioms—such as motif repetition, reduction of musical elements, and polyrhythmic structures—with traditional Indonesian instruments, namely Angklung Gambang and Angklung Toel. The analysis reveals that interlocking is systematically implemented through mutually filling rhythmic patterns, simultaneous meter structures (6/8 and 7/8), and unconventional accent placements. These findings demonstrate how minimalist principles can be contextually adapted to local mediums, resulting in innovative and culturally relevant musical forms. This research contributes to contemporary Indonesian music discourse by offering a composition model rooted in local traditions yet aligned with global aesthetics. Furthermore, the PLR approach proves effective in bridging creative practice and theoretical reflection and is recommended for integration into higher arts education and interdisciplinary research.

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    Official URL: https://repository.upi.edu/
    Item Type: Thesis (S1)
    Additional Information: https://scholar.google.com/citations?hl=en ID SINTA Dosen Pembimbing: Toni Setiawan Sutanto: 6126662 Abizar Algifari Saiful: 6906300
    Uncontrolled Keywords: Musik Minimalis, Interlocking, Time Remnant, Practice-Led Research, Angklung, Komposisi Kontemporer Minimalist Music, Interlocking, Time Remnant, Practice-Led Research, Angklung, Contemporary Composition
    Subjects: L Education > L Education (General)
    M Music and Books on Music > M Music
    M Music and Books on Music > ML Literature of music
    M Music and Books on Music > MT Musical instruction and study
    Divisions: Fakultas Pendidikan Seni dan Desain > Musik - S1
    Depositing User: Galuh Cahya Pratama
    Date Deposited: 27 Oct 2025 07:13
    Last Modified: 27 Oct 2025 07:13
    URI: http://repository.upi.edu/id/eprint/144013

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