EKSPLORASI KERAPUHAN MEDIUM FILM ANALOG SEBAGAI NARASI DALAM PENCIPTAAN FILM “SHE TAKING CARE OF ME”

Annisa Faradila, - and Erik Muhamad Pauhrizi, - and Dedi Warsana, - (2025) EKSPLORASI KERAPUHAN MEDIUM FILM ANALOG SEBAGAI NARASI DALAM PENCIPTAAN FILM “SHE TAKING CARE OF ME”. S1 thesis, Universitas Pendidikan Indonesia.

Abstract

Perkembangan teknologi digital telah menggeser makna fundamental sinema, sebagaimana dikemukakan oleh Paolo Cherchi Usai dalam konsep The Death of Cinema, yang menandai hilangnya relasi fisik, jejak eksistensial, dan pengalaman material dari medium film. Berangkat dari kegelisahan atas fenomena ini, film eksperimental She Taking Care of Me diciptakan sebagai bentuk resistensi terhadap kematian sinema melalui praktik analog berbasis film seluloid fotografi 35mm dan motion picture 16mm. Proses penciptaan menggunakan pendekatan laboratorium dan eksperimen kimia, membingkai tubuh dan memori sebagai dua entitas yang sama-sama rapuh namun penuh makna. Film ini memanfaatkan konsep authorship dan representasi gambar berlapis untuk menghadirkan narasi visual yang puitik dan kontemplatif. Praktik analog yang dilakukan tidak hanya berfungsi sebagai pendekatan estetika, tetapi juga sebagai metode pencarian makna melalui interseksi antara tubuh dan material film. Melalui eksplorasi visual dan eksperimental, film ini menegaskan kembali pentingnya film sebagai ruang reflektif yang terus dapat dimaknai ulang, tidak hanya sebagai produk akhir, tetapi sebagai proses keberlanjutan ingatan dan pengalaman manusia. The development of digital technology has shifted the fundamental meaning of cinema, as discussed by Paolo Cherchi Usai in the concept The Death of Cinema, which marks the loss of physical relation, existential trace, and material experience of the film medium. Arising from concerns over this phenomenon, the experimental film She Taking Care of Me was created as a form of resistance against the death of cinema through analog practices using celluloid film photogrphy 35mm and motion picture 16mm. The creation process involved laboratory approaches and chemical experimentation, framing the body and memory as two equally fragile yet meaningful entities. This film employs the concepts of authorship and layered image representation to present a poetic and contemplative visual narrative. The analog approach serves not only as an aesthetic method but also as a means of meaning-making through the intersection between the body and film material. Through visual and experimental exploration, this film reasserts the importance of cinema as a reflective space that can continually be reinterpreted, not merely as a finished product, but as an ongoing process of preserving memory and human experience.

	Text S_FTV_2103820_Title.pdf Download (513kB)
	Text S_FTV_2103820_Chapter 1.pdf Download (413kB)
	Text S_FTV_2103820_Chapter 2.pdf Restricted to Staf Perpustakaan Download (858kB)
	Text S_FTV_2103820_Chapter 3.pdf Download (1MB)
	Text S_FTV_2103820_Chapter 4.pdf Restricted to Staf Perpustakaan Download (1MB)
	Text S_FTV_2103820_Chapter 5.pdf Download (262kB)
	Text S_FTV_2103820_Appendix.pdf Restricted to Staf Perpustakaan Download (1MB)

Item Type:	Thesis (S1)
Additional Information:	https://scholar.google.com/citations?view_op=new_articles&hl=en&imq=Annisa+Faradila#d=gs_hdr_drw&t=1760415572759 ID SINTA Dosen Pembimbing : 6750889 ERIK MUHAMMAD PAUHRIZI 6778104 DEDI WARSANA
Uncontrolled Keywords:	film eksperimental, seluloid, authorship experimental film, celluloid, authorship
Subjects:	L Education > L Education (General) > N Visual arts (General) For photography, see TR
Divisions:	Fakultas Pendidikan Seni dan Desain > Film dan Televisi - S1
Depositing User:	Annisa Faradila
Date Deposited:	24 Oct 2025 06:38
Last Modified:	24 Oct 2025 06:38
URI:	http://repository.upi.edu/id/eprint/143593

Actions (login required)

View Item