TARI SAMPING KEBAT: Kajian Makna Dan Simbol Secara Etnokoreologi

Tresna Anjar Wati, - and Tati Narawati, - and Fitri Kurniati, - (2025) TARI SAMPING KEBAT: Kajian Makna Dan Simbol Secara Etnokoreologi. S1 thesis, Universitas Pendidikan Indonesia.

Abstract

Penelitian ini bertujuan untuk mengkaji makna dan simbol dalam Tari Samping Kebat melalui pendekatan etnokoreologi. Tari Samping Kebat merupakan karya tari kreasi baru yang bersifat lirik epic ciptaan Rachmayati Nilakusumah (Neng Peking) yang lahir dari pengalaman pribadi dan tradisi masyarakat Sunda di Ciamis, khususnya terkait penggunaan kain samping kebat dalam siklus kehidupan, mulai dari kelahiran hingga kematian. Payung teori penelitian menggunakan Etnokoreologi, menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data berupa observasi, wawancara, dokumentasi, dan studi pustaka. Hasil penelitian menunjukkan bahwa makna dan simbol dalam Tari Samping Kebat tercermin pada koreografi, properti, tata rias, busana, serta penggunaan musik internal yang khas. Tari ini terdiri dari tiga kategori ragam gerak, yaitu gerak murni (pure movement), gerak bermakna (gesture), dan gerak berpindah tempat (locomotion). Setiap unsur tari menyampaikan filosofi kehidupan dan spiritualitas perempuan Sunda, seperti keteguhan, kesucian, dan perjalanan hidup yang diwakili oleh warna dan motif kain kebat. Setiap unsur dalam tari ini baik gerak, rias, busana, maupun properti kain kebat mengandung filosofi mendalam yang merefleksikan siklus kehidupan dari lahir hingga mati. Karya ini menunjukkan bahwa seni tari mampu menjadi bahasa budaya yang menyampaikan pengalaman spiritual, personal, sekaligus sosial dalam satu kesatuan pertunjukan. This study aims to examine the meaning and symbols in the Samping Kebat Dance through an ethnochoreology approach. The Samping Kebat Dance is a new creative dance work with an epic lyric nature created by Rachmayati Nilakusumah (Neng Peking) which was born from personal experience and the traditions of the Sundanese people in Ciamis, especially related to the use of the sisi kebat cloth in the life cycle, from birth to death. The theoretical umbrella of the research uses Ethnochoreology, using a descriptive qualitative method with data collection techniques in the form of observation, interviews, documentation, and literature studies. The results of the study show that the meaning and symbols in the Samping Kebat Dance are reflected in the choreography, properties, make-up, costumes, and the use of distinctive internal music. This dance consists of three categories of movement, namely pure movement, meaningful movement (gesture), and movement from place to place (locomotion). Each element of the dance conveys the philosophy of life and spirituality of Sundanese women, such as steadfastness, purity, and the journey of life represented by the color and motif of the kebat cloth. Every element in this dance, be it movement, make-up, costume, or kebat cloth property, contains a deep philosophy that reflects the cycle of life from birth to death. This work shows that dance art can be a cultural language that conveys spiritual, personal, and social experiences in one unified performance.

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Item Type:	Thesis (S1)
Additional Information:	ID SINTA Dosen Pembimbing Tati Narawati : 5995150 Fitri Kurniati : 6833059
Uncontrolled Keywords:	Tari Samping Kebat, makna, simbol, etnokoreologi, Tari Samping Kebat, meaning, symbol, ethnochoreology
Subjects:	G Geography. Anthropology. Recreation > GV Recreation Leisure > NX Arts in general
Divisions:	Fakultas Pendidikan Seni dan Desain > Jurusan Pendidikan Seni Tari
Depositing User:	Tresna Anjar Wati
Date Deposited:	02 Oct 2025 07:54
Last Modified:	13 Oct 2025 03:47
URI:	http://repository.upi.edu/id/eprint/141552

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