ELEMEN MAGIS DALAM DONGENG TRADISIONAL KOREA “UREONG GAKSI (우렁 각시)” DAN DONGENG INDONESIA “KEONG EMAS” : KAJIAN SASTRA BANDINGAN

    Rizqi Hauna Nadhira, - and Asma Azizah, - and Didin Samsudin, - (2025) ELEMEN MAGIS DALAM DONGENG TRADISIONAL KOREA “UREONG GAKSI (우렁 각시)” DAN DONGENG INDONESIA “KEONG EMAS” : KAJIAN SASTRA BANDINGAN. S1 thesis, Universitas Pendidikan Indonesia.

    Abstract

    Dalam sastra dunia yang kaya dan beragam terdapat beberapa dongeng yang memiliki kemiripan, salah satunya adalah dongeng Korea Ureong Gaksi (우렁 각시) dan dongeng Indonesia Keong Emas. Penelitian ini bertujuan untuk membandingkan struktur kedua cerita dongeng tersebut dengan membandingkan unsur intrinsik kemudian menerapkan teori strukturalisme Lévi-Strauss, serta mengkategorikannya berdasarkan unsur realisme magis Wendy B. Faris untuk menganalisis unsur magis. Objek penelitian pada penelitian ini adalah buku dongeng Ureong Gaksi (우렁 각시) karya 한성옥 (Han Seong-ok) dan buku dongeng Keong Emas karya Tira Ikranegara. Penelitian ini menggunakan pendekatan kualitatif metode deskriptif komparatif. Pendekatan tersebut dipilih karena menggunakan penggambaran dan analisis dengan membandingkan dua objek penelitian yang berbeda, data dikumpulkan dengan studi pustaka, kemudian dianalisis untuk diidentifikasi persamaan dan perbedaan dalam struktur dongeng. Hasil penelitian menunjukkan bahwa dalam analisis unsur intrinsik terdapat kesamaan pada tema. Namun, terdapat perbedaan dalam tokoh dan penokohan, latar dan alur. Kemudian hasil analisis elemen magis dengan menggunakan teori Lévi-Strauss ditemukan enam unsur utama dalam mytheme dan enam unsur oposisi biner yang dijadikan perbandingan. Dari unsur mytheme tersebut kemudian dikategorikan berdasarkan unsur magis Wendy B. Faris yaitu unsur yang tidak dapat direduksi, Dunia fenomenal, Penggabungan alam, keragu-raguan yang tidak menentu, dan gangguan waktu, ruang dan identitas. Hasil dari penelitian menunjukan keduanya mengandung unsur magis dan makhluk supranatural, tetapi memiliki kerangka struktural yang berbeda dalam tokoh, bantuan dan konflik yang dialami kemudian kedua dongeng ini memenuhi kelima unsur realisme magis tersebut. Penelitian ini diharapkan dapat memberikan kontribusi dalam pengembangan kajian sastra bandingan dan memperluas pemahaman mengenai kajian teori stukturalisme Lévi-Strauss. Kata Kunci : elemen magis, Keong Emas, Lévi-Strauss, sastra bandingan, Ureong Gaksi In the rich and diverse landscape of world literature, many folktales share striking similarities among them are the Korean tale Ureong Gaksi (우렁각시) and the Indonesian tale Keong Emas. This study aims to compare the structures of these two stories by examining their intrinsic elements, applying Claude Lévi-Strauss’s structuralism, and categorizing the magical elements using Wendy B. Faris’s concept of magical realism. The objects of this research are the picture-book adaptation of Ureong Gaksi by Han Seong-ok (한성옥) and the picture-book adaptation of Keong Emas by Tira Ikranegara. A qualitative descriptive-comparative approach is employed, as it allows for detailed analysis and comparison of the two texts. Data are collected through library research and analyzed to identify similarities and differences in narrative structure. The findings reveal that, in terms of intrinsic elements, the two tales share a common theme. However, differences are evident in characters and characterization, setting, and plot. Structural analysis of the magical elements, based on Lévi-Strauss’s framework, identifies six core mythemes and six corresponding binary oppositions. These mythemes are then categorized using Faris’s five characteristics of magical realism: (1) irreducible element, (2) phenomenal world, (3) merging of realms, (4) unsettling doubt, and (5) disruptions of time, space, and identity. The study concludes that while both tales feature supernatural beings and magical elements, they exhibit distinct structural frameworks in terms of characters, helpers, and conflicts. Nonetheless, each narrative fulfills all five of Faris’s magical realist criteria. This research aims to contribute to the development of comparative literature and to broaden the application of Lévi-Strauss’s structuralist theory in literary analysis. Keywords: comparative literature, Keong Emas folktale, Lévi-Strauss, magical elements, Ureong Gaksi 세계 문학의 풍부하고 다채로운 지평 속에는 서로 유사성을 지닌 여러 동화가 존재한다. 그중 하나가 한국의 『우렁 각시』와 인도네시아의 『황금달팽이 전설』이다. 본 연구는 두 동화의 구조를 비교하고자 내재적 요소를 분석한 뒤 레비스트로스의 구조주의 이론을 적용하고, 웬디 B. 패리스의 마술적 사실주의 범주를 활용해 마술적 요소를 분류·분석하는 것을 목표로 한다. 연구 대상은 한성옥의 동화집 『우렁 각시』와 티라 익라네가라의 동화집 『황금달팽이 전설』이다. 본 연구는 질적 연구 방법 가운데 비교·기술적 접근을 채택하였다. 이 접근법은 서로 다른 두 연구 대상을 서술하고 비교·분석하기에 적합하며, 자료는 문헌 연구를 통해 수집한 뒤 동화 구조의 유사점과 차이점을 도출하였다. 연구 결과, 내재적 요소 분석에서는 두 동화가 주제 면에서 공통점을 보였으나 인물 및 성격, 배경, 플롯에서는 차이를 나타냈다. 레비스트로스 이론을 적용한 마이팀 분석에서는 여섯 가지 주요 요소와 여섯 쌍의 이항 대립이 밝혀졌다. 이러한 마이팀 요소는 패리스의 마술적 사실주의 범주 환원 불가능한 요소, 현상 세계, 영역의 융합, 해결되지 않은 의심, 시간·공간·정체성의 교란에 따라 분류되었다. 연구 결과 두 동화 모두 마술적 요소와 초자연적 존재를 포함하지만, 인물, 조력, 갈등 전개에서 서로 다른 구조적 틀을 지니며, 다섯 가지 마술적 사실주의 요소를 모두 충족함이 확인되었다. 본 연구는 비교문학 연구의 발전에 기여하고 레비스트로스 구조주의 이론에 대한 이해를 심화하는 데 이바지할 것으로 기대된다. 키워드: 레비스트로스 , 마법적 요소,비교 문학, 우렁각시, 황금달팽이 전설

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    Official URL: https://repository.upi.edu/
    Item Type: Thesis (S1)
    Additional Information: https://scholar.google.com/citations?view_op=new_articles&hl=en&imq=Rizqi+Hauna+Nadhira# ID SINTA Dosen Pembimbing: Asma Azizah: 6705531 Didin Samsudin: 6102061
    Uncontrolled Keywords: elemen magis, Keong Emas, Lévi-Strauss, sastra bandingan, Ureong Gaksi comparative literature, Keong Emas folktale, Lévi-Strauss, magical elements, Ureong Gaksi 레비스트로스 , 마법적 요소,비교 문학, 우렁각시, 황금달팽이 전설
    Subjects: G Geography. Anthropology. Recreation > GR Folklore
    L Education > L Education (General)
    Divisions: Fakultas Pendidikan Bahasa dan Sastra > Jurusan Pendidikan Bahasa Korea
    Depositing User: Rizqi Hauna Nadhira
    Date Deposited: 14 Jul 2025 08:02
    Last Modified: 14 Jul 2025 08:02
    URI: http://repository.upi.edu/id/eprint/134411

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